Showing posts with label book reviews; James Myers; book reviews; The Entertainment Critic. Show all posts
Showing posts with label book reviews; James Myers; book reviews; The Entertainment Critic. Show all posts

Wednesday, January 14, 2009

Congress takes up foreclosure relief plans

MSN Tracking Image
  MSNBC.com

Congress takes up foreclosure relief plans
After a year of debate, effective government solutions remain elusive
By John W. Schoen
Senior producer
updated 10:40 a.m. CT, Wed., Jan. 14, 2009

With the battered housing industry at the heart of the economy’s slide, Congress and the Obama administration have identified foreclosure relief as a top priority. But the problem has been stubbornly resistant to quick fixes.

After a year of failed efforts, Congress and the new administration are considering more aggressive measures, including a possible change to bankruptcy law. Homeowner relief could come as part of a new economic stimulus plan, a revised financial system bailout program or as a standalone measure.

So far, progress remains painfully slow. More than 3 million homes have been lost to foreclosure since the housing bubble burst. Roughly one in 10 homeowners with mortgages are either in foreclosure or more than 30 days late in payments — the highest delinquency rate on record.

Without more aggressive measures, another 8 million to 10 million foreclosures are forecast over the next four years, according to Credit Suisse. That amounts to roughly one in six households with a mortgage.

“It is simply mind-boggling to me that (Congress and the White House) have moved so slowly to address this issue,” said John Taylor, president of the National Community Reinvestment Coalition, which has been lobbying for foreclosure relief.

Congress and the incoming administration are taking a multipronged approach to foreclosure relief.

"Accelerating foreclosures is obviously, in my view, the huge driving problem right now,” said Elizabeth Warren, a Harvard law professor appointed by Congress to chair a panel overseeing the financial bailout. "Until we think in a more comprehensive way, we can't create solutions that will really make a difference," she told Congress last month.

Many of solutions tried so far have been stymied by the legal morass created by the modern mortgage.


In past recessions, it was not uncommon for lenders to work out more affordable terms with borrowers who had fallen on hard times. Bankers often prefer to cut their losses by lowering monthly payments and stretching them out over a longer term rather than bearing the cost of foreclosure. But the complex system of financing the recent housing boom — which was based heavily on the pooling of mortgages that were then sold to thousands of investors — has hopelessly complicated a once fairly simple renegotiation between lender and homeowner.

Multiple classes of investors, each with different claims on the same mortgage, often have conflicting interests. Some will do better with a loan foreclosure while others would profit by keeping the loan performing. Some contracts setting up these pool pay loan “servicers” — the companies that manage mortgage payments to investors — more generous payments for loans in foreclosure and offer little financial incentive to undertake the more costly process of modifying terms.

“You have got to have the investor or their representatives come to the table motivated to do something,” said Taylor. “And that’s currently what we don’t have.”

To break the logjam, Congress is considering various proposals, including both "carrots" and "sticks."

One of the "carrots" is included in a proposed revision to the $700 billion bailout of the financial industry known as the Troubled Asset Relief Program, or TARP.

Now, as Congress prepares to authorize the second $350 billion in spending for the program, Democratic leaders are pressing for changes that would expand beyond the banking industry, which has been the primary beneficiary of the program. A House Committee heard testimony Tuesday on revisions that would commit between $40 billion and $100 billion of TARP funds to various foreclosure relief measures.

One proposal would expand an FDIC program aimed at standardizing the loan modification process and paying mortgage servicers a fee for every loan they modify. To cap monthly payments at no more than 31 percent of a borrower’s income, loan servicers could extend the loan to 40 years or defer some interest until the borrower sells or refinances their home. The measure would also provide mortgage servicers some protection against investor lawsuits claiming a loan modification lowered their returns.

The TARP revision also could include changes to the Hope for Homeowners program, which provided $300 billion in guarantees to help lenders refinance troubled borrowers into FHA mortgages. Lenders balked because the program was too costly; changes in the law are expected to make the plan more attractive.

Congress also is considering various proposals as part of a planned $800 billion economic stimulus program, including tax cuts promoted by the home building industry for home buyers. That could include tax credits for all homebuyers, not just first-timers, of $7,500 or more. Mortgage interest would be deductible even for taxpayers who don't itemize; tax incentives may also be given to owners who rent out vacant properties.

The most controversial foreclosure relief proposal — and the biggest "stick" being considered — involves changing the bankruptcy law to allow courts to modify terms of first mortgages on primary residences. (Those are the only form of debt currently excluded from the bankruptcy process.)

First proposed over a year ago, the latest proposal would require borrowers to contact their mortgage lender 10 days before filing for bankruptcy to give the two sides time to work out a modification. If the lender doesn’t make an offer, a judge could then adjust the loan balance to fair market value, cut the interest rate and extend the loan as part of a court-ordered five-year payment plan. There’s no guarantee, however, that a foreclosure could be prevented if the mortgage balance greatly exceeds the homeowner's ability to pay it down.

This so-called "cram-down” provision is strenuously opposed by the lending industry, which argues that the new risk that a loan will later be modified by a judge will increase the cost of borrowing.  Some financial analysts caution the move could also make mortgages harder to finance.

“Investors outside the U.S. will now view the U.S. mortgage market as riskier and therefore they may be willing to commit less capital to it,” said Jaret Seiberg, an analyst with the Stanford Group.

But that view is disputed by some economists. Adam Levitin, a professor at Georgetown University Law Center, say his research comparing mortgages on single-family homes, which are excluded from bankruptcy court revisions, and multifamily homes, which aren’t, showed the difference in interest costs amounted to a fraction of a percentage point.


“There was a statistically significant impact, but it was small,” he said. “I would expect to see that impact borne by the highest-risk borrowers, and that’s very good policy. It would inject a little prudence into the mortgage lending process.”

Though it was defeated twice in the last Congress, the measure got a major boost last week when Citigroup agreed to support the proposal, with some modifications. (One key change would restrict the provision to existing mortgages, preserving the bankruptcy exemption for new first mortgages.) The National Association of Home Builders, also a staunch opponent last year, has signaled it would consider supporting some form of the provision.

Congress also is looking at additional measures aimed at reducing mortgage rates to spur home buying, including providing an explicit government guarantee and raising limits on conforming loans issued by Freddie Mac and Fannie Mae. But those measures offer little relief to the roughly one in six homeowners whose home’s value has fallen below their mortgage balance.

Monday, June 2, 2008

New Book Review From The Entertainment Critic: A Wolf At The Table by Augusten Burroughs




A Wolf at the Table: A Memoir of My Father

THE ENTERTAINMENT CRITIC BOOK REVIEW, BY JAMES MYERS
www.theentertainmentcritic.com
www.theentertainmentcritic.net
www.theentertainmentcriticmagazine.com

A WOLF AT THE TABLE: A MEMOIR OF MY FATHER
By Augusten Burroughs
Publisher: St. Martin's Press
Pub. Date: April 2008
ISBN-13: 9780312342029
Sales Rank: 193
256pp
Four Star Rating ****

Born Christopher Robison (he changed his name when he turned 18), Burroughs is the son of an alcoholic father who abandoned his family and a manic-depressive mother who fancied herself a poet in the style of Anne Sexton. At age 12, he was farmed out to his mother's psychiatrist, a deeply disturbed -- and disturbing -- man whose medical license was ultimately revoked for gross misconduct. In Running with Scissors, Burroughs recounts his life with the pseudonymous Finch family as an experience tantamount to being raised by wolves. The characters he describes are unforgettable: children of assorted ages running wild through a filthy, dilapidated Victorian house, totally unfettered by rules or inhibitions; a variety of deranged patients who take up residence with the Finches seemingly at will; and a 33-year-old pedophile who lives in the backyard shed and initiates an intense, openly homosexual relationship with the 13-year-old Burroughs right under the doctor's nose.

That he is able to wring humor and insight out of this shocking scenario is testimony to Burroughs's writing skill. Upon its publication in 2002, Scissors was hailed as "mordantly funny" (Los Angeles Times), "hilarious" (San Francisco Chronicle), and "sociologically suggestive and psychologically astute" (The New York Times). The book became a #1 bestseller and was turned into a 2006 movie starring Annette Bening, Alec Baldwin, and Joseph Fienes.

[Although the doctor who "raised" Burroughs was never named in the memoir, six members of the real-life family sued the author and his publisher for defamation, claiming that whole portions of the book were fabricated. Burroughs insisted that the book was entirely accurate but agreed in the 2007 settlement to change the wording of the author's note and acknowledgement in future editions of the book. He was never required to change a single word of the memoir itself.]

Since Running with Scissors, Burroughs has mined snippets of his life for more bestsellers, including further installments of his memoir (Dry, A Wolf at the Table) and several well-received collections of razor-sharp essays. His writing continues to appear in newspapers and magazines around the world, and he is a regular contributor to National Public Radio's Morning Edition.



““Kill him,” I whispered. His eyes met mine and held the glaze. His eyes met mine and held the glaze. “Kill him,” I said once more.

Nobody breathed.

Nobody moved.

The astronauts closed their eyes.

The moment was balanced on the head of a pin.

Then my brother’s head rocked back a little in astonishment and he blinked. He quickly took the gun and I could see, yes, I’d done the right thing.

I hadn’t known I needed my father dead until that moment. There was only a single action: get the gun. But now I knew my father had to die.

My brother had the heel of the rifle packed tight against his right shoulder, his head cocked sideways as he looked down the barrel of the gun, which was now pointed at our father…

I screamed with excitement rather than fear. “Kill him, kill him, kill him.” My throat vibrated as I screamed the words, the loudest sounds I have ever made. I felt heat rise in my face as my lungs emptied and my vision began to darken.”


Controversial author, Augusten Burroughs, has written a disturbing new book, A Wolf At The Table, A Memoir of My Father. This is the type of probing self-examination that serious writers do, and Augusten Burroughs is a serious writer. This open, jarring examination of his childhood and his relationship with his alcoholic father who engaged in psychological abuse, cruelty and abandonment is a searing expose of what it is like from the point of view of a precocious child to be raised by a distant, drunken father.

Augusten’s earliest recollections demonstrate what an obtuse and uncaring man his father really was. When the former philosophy professor at Amherst College would arrive home for the evening, he seemed to be more concerned about his drink than his son. Handing him art projects or simply trying to make conversation of any type was met with cold disregard, disgust and chilling brutality. As a boy Augusten longed to hug his father so badly that he would take his father’s clothes, stuff them with towels and snuggle with this “acceptable substitute.”

Trying to balance life with his concerned but weak mother, an unpredictable, rebel older brother, and violent father, young Augusten constantly seems to be walking on egg shells trying to win his father’s affection. Two episodes in this book stand out. The episode described above, where the old brother is having a confrontation with the father, and young Augusten fetches a gun, which the brother points at the father and informs him that he keeps it loaded all of the time. Augusten is screaming through the entire confrontation at the older brother to kill him. The second episode is after Augusten is older and the father drunk calls him and threatens to come over and kill him. After Augusten call the police, the father, suddenly sober, tells the police officers, that he made no such call and this must be a false report on his son’s part. Equally disturbing is that fact that young Augusten pronounces the word ‘Dad’ by using the word ‘Dead.’ Pets left under ‘Dead’s’ care consistently ended up dead.

Even as an adult, the attempts described by Burroughs to win his father’s approval with his success fall on deaf ears. This book seems strikingly authentic to me. It was written by someone who has been there.

The memoir concludes with examples in Burroughs’ adult life where the father has had an effect and even after the father’s death, Augusten’s hatred for him continues.
This one is the most disturbing dysfunctional relationship I’ve ever read. Burroughs’ prose is exceptional; this man can turn a phrase, and he is a first class writer. He is a true artist with words. This book is a serious writer, purging his soul. An incredibly honest and open book, the irony of this book will keep you on edge for hours. A searing, haunting, unflinching journey into the truth; this is a great book for the ages.


http://www.youtube.com/watch?v=66DBhQAxLa0




Wednesday, May 28, 2008

Clinton's Two-State Two-Step

By Harold MeyersonWednesday, May 28, 2008; Page A13
On Saturday, when the Rules Committee of the Democratic National Committee meets to determine the fate of Florida and Michigan's delegations to this summer's convention, it will have some company. A group of Hillary Clinton supporters has announced it will demonstrate outside.
That Clinton has impassioned supporters, many of whom link her candidacy to the feminist cause, hardly qualifies as news. And it's certainly true that along the campaign trail Clinton has encountered some outrageously sexist treatment, just as Barack Obama has been on the receiving end of bigoted treatment. (Obama has even been subjected to anti-Muslim bigotry despite the fact that he's not Muslim.) But somehow, a number of Clinton supporters have come to identify the seating of Michigan and Florida not merely with Clinton's prospects but with the causes of democracy and feminism -- an equation that makes a mockery of democracy and feminism.
Clinton herself is largely responsible for this absurdity. Over the past couple of weeks, she has equated the seating of the two delegations with African Americans' struggle for suffrage in the Jim Crow South, and with the efforts of the democratic forces in Zimbabwe to get a fair count of the votes in their presidential election.
Somehow, I doubt that the activists opposing Robert Mugabe in Zimbabwe would appreciate this equation.
But the Clintonistas who have called Saturday's demonstration make it sound as if they'll be marching in Selma in support of a universal right to vote. The DNC, says one of their Web sites, "must honor our core democratic principles and enfranchise the people of Michigan and Florida."
Had Florida and Michigan conducted their primaries the way the other 48 states conducted their own primaries and caucuses -- that is, in accord with the very clear calendar laid down by the DNC well before the primaries began -- then Clinton's marchers would be utterly justified in their claims. But when the two states flouted those rules by moving their primaries outside the prescribed time frame, the DNC, which gave neither state a waiver to do so, decreed that their primaries would not count and enjoined all presidential candidates from campaigning in those states. Obama and John Edwards complied with the DNC's dictates by removing their names from the Michigan ballot. Clinton did not.
Seating Michigan in full would mean the party validates the kind of one-candidate election (well, 1.03, to give Dennis Kucinich, Chris Dodd and Mike Gravel, who also remained on the ballot, their due) that is more common in autocracies than democracies. It would mean rewarding the one serious candidate who didn't remove her name from the ballot when all her rivals, in deference to the national party rules, did just that.
What's particularly outrageous is that the Clinton campaign supported the calendar, and the sanctions against Michigan and Florida, until Clinton won those states and needed to have their delegations seated. (emphasis added)
Last August, when the DNC Rules Committee voted to strip Florida (and Michigan, if it persisted in clinging to its date) of its delegates, the Clinton delegates on the committee backed those sanctions. All 12 Clinton supporters on the committee supported the penalties. (The only member of the committee to vote against them was an Obama supporter from Florida.) Harold Ickes, a committee member, leading Clinton strategist and acknowledged master of the political game, said, "This committee feels very strongly that the rules ought to be enforced." Patty Solis Doyle, then Clinton's campaign manager, further affirmed the decision. "We believe Iowa, New Hampshire, Nevada and South Carolina play a unique and special role in the nominating process," she said, referring to the four states that the committee authorized to hold the first contests. "And we believe the DNC's rules and its calendar provide the necessary structure to respect and honor that role. Thus, we will be signing the pledge to adhere to the DNC-approved nominating calendar."
Not a single Clinton campaign official or DNC Rules Committee member, much less the candidate herself, said at the time that the sanctions imposed on Florida or Michigan were in any way a patriarchal plot or an affront to democratic values. The threat that these rules posed to our fundamental beliefs was discovered only ex post facto -- the facto in question being Clinton's current need to seat the delegations whose seatings she had opposed when she thought she'd cruise to the nomination.
Clinton's supporters have every right to demonstrate on Saturday, of course. But their larger cause is neither democracy nor feminism; it's situational ethics. To insist otherwise is to degrade democracy and turn feminism into the last refuge of scoundrels.
meyersonh@washpost.com

Friday, May 23, 2008

Hillary invokes RFK assassination as a reason to stay in the race!







HAS HILLARY FINALLY SHOT HERSELF IN THE FOOT?


Apologies notwithstanding, there are some things you just do not say in a Presidential campaign. It doesn’t matter how hard you work; how tired you are or what is on your mind. There are some things that demonstrate conclusively that the speech you are engaging in is in bad taste, is improper and at the best can be called poor judgment. The kind of poor judgment that indicates you are not really and truly qualified to be President of The United States.

Hillary Clinton said just such a thing today while in South Dakota, meeting with the Editorial Board of the Argus Leader newspaper, in advance of the June 2d primary in South Dakota. She was defending her position to stay in the race until June, possibly until the time of the convention, when she stated history was on her side as evidence of past nominating time periods not wrapping up until June, “My husband did not wrap up the nomination in 1992 until he won the California primary, somewhere in the middle of June, right?" Clinton said in an interview with the Argus Leader newspaper editorial board.

"We all remember, Bobby Kennedy was assassinated in June in California, I don't understand it," Clinton said.

The remarks can be read to say that Mrs. Clinton is remaining in the race, just in case someone assassinates Barack Obama, and that history shows that it is possible to obtain the parties nomination as late as June for that reason, even if you are behind. Remarks of this type do not belong in a Presidential campaign. Whether she meant to or not, this sounds like the kind of wishful thinking that has caused our country to lose great men in the past. Whether she meant to or not, this is the kind of statement that can jar the imagination of persons less than stable. This shows bad judgment at a time when we need our political leaders’ best judgment. This raised a question about her fitness to lead, her political judgment, her ability to answer that 3 am call; to be ready to lead on day 1. Or any other day for that matter. This points out why she is called “the most divisive figure in American history”. In this campaign, she has try to divide the country by race, by sex and by class to obtain what she seems to feel is an office that she is entitled to. She has misstated her popular vote figures, her delegate figures, and the actual figures need to win the nomination. There has been a constant threat to drag out the process through the convention, and the Rules Committee to obtain what she wants. There have been made statements from the Clinton camp acting as pressure points to accept her as the Vice Presidential nominee. You cannot help but form the impression that she and her campaign, her husband and Mr. Harold Ickes, will stop at nothing to achieve their objective of moving back into the White House in 2009.

But this time she went too far. The Obama campaign was quick to respond, “"Senator Clinton's statement before the Argus Leader editorial board was unfortunate and has no place in this campaign."

This is not the first time she has made similar remarks during this campaign. After the Indiana and North Carolina primaries, she stated, “"Sometimes you gotta calm people down a little bit. But if you look at successful presidential campaigns, my husband did not get the nomination until June of 1992. I remember tragically when Senator Kennedy won California near the end of that process."

In fact, the assassination/nomination idea was first raised in this campaign on January 8, when a Clinton introducer, a retired teacher from New Hampshire, brought it up before Clinton spoke. "If you look back, some people have been comparing one of the other candidates to JFK, and he was a wonderful leader. He gave us a lot of hope," the retired teacher said. "But he was assassinated, and Lyndon Baines Johnson actually did all of his work and got both the Republicans and Democrats to pass those measures."
Do we really want a President or a Vice President who thinks in such terms? All of the angles include succession by assassination, so that why I opposed to people trying to ‘push me out of the race?’
In fairness, Mrs. Clinton did issue an apology, “"I regret that if my referencing that moment of trauma for our entire nation, particularly for the Kennedy family was in any way offensive. I certainly had no intention of that whatsoever. My view is that we have to look to the past and to our leaders who have inspired us and give us a lot to live up to and I'm honored to hold Sen. Kennedy's seat in the United States Senate in the state of New York, and have the highest regard for the entire Kennedy family."
This is too little, too late. A small sampling of the response to her remarks by the general public can be found on MSNBC’s website. Here is just an example:
“This is unreal. Hand the nomination to me, even though I can't win, because you know the black guy's going to get shot.The Clintons have done and said enough insulting things throughout this campaign to keep me from ever supporting any member of their family in any political endeavor for the rest of my life. This is abhorrent. The supers need to shove her out of this race, now.”
Or how about this one,
“Every time I think she can't stoop any lower, I am proven wrong. Hillary Clinton is despicable. The Super Delegates new to quit being such cowards and endorse Obama now. If this doesn't shut up all those people claiming an Obama/Hillary ticket is a "dream ticket" then nothing will. It is absolutely disgusting that Hillary would try to use the assassination of RFK to advance her already pathetic arguments, likely requiring a response from the Kennedy family, especially in light of what they are already going through. She is either a truly vile human being, or she needs mental help.”
To use the assassination of man who may have been one of the greatest leaders in American history as an example of a reason to stay in a race, where mathematically, you cannot win is one of the poorest justifications of all time. Another great, insightful man who could bring about badly needed change to our nation is poised to take the nomination. Barack Obama has consistently exercised good judgment, and has demonstrated the intellect and temperament consistent with the office of President. Hillary Clinton is not worthy of your vote, and she is not worthy of holding either the office of President or Vice President. Bill wants her to be one heartbeat away from obtaining the office? Who thinks like this? What conversations has she had with her husband and campaign staff that connects the thoughts, she make a good Vice President and let’s see if he makes it to Denver? Expect the undecided Super Delegates to become Obama supporters very soon. And Hillary, while you are issuing apologies, how about one to Barack and his family? Or didn’t you think that far ahead?




http://www.youtube.com/watch?v=5vyFqmp4wzI

Wednesday, May 14, 2008

Video on Harlan Coben and his new book, Hold Tight

http://www.youtube.com/watch?v=cGX1yVBoaak

New Book Review From the Entertainment Critic: Hold Tight by Harlan Coben


Hold Tight

THE ENTERTAINMENT CRITIC BOOK REVIEW, BY JAMES MYERS
www.theentertainmentcritic.com
www.theentertainmentcritic.net
www.theentertainmentcriticmagazine.com

HOLD TIGHT
By Harlan Coben
Published by: Dutton, a Division of The Penguin Group (USA)
Publication Date: April, 2008
Price: $26.95
416 Pages
ISBN-13: 9780525950608
Five Star Rating *****

HARLAN COBEN (BORN JANUARY 4, 1962) IS A JEWISH AMERICAN AUTHOR OF MYSTERY NOVELS. THE PLOTS OF HIS NOVELS OFTEN INVOLVE THE RESURFACING OF UNRESOLVED OR MISINTERPRETED EVENTS IN THE PAST (SUCH AS MURDERS, FATAL ACCIDENTS, ETC.) AND OFTEN HAVE MULTIPLE PLOT TWISTS. BOTH SERIES OF COBEN'S BOOKS ARE SET IN AND AROUND NEW YORK AND NEW JERSEY, AND SOME OF THE SUPPORTING CHARACTERS IN TWO SERIES OF NOVELS HAVE APPEARED IN BOTH. HIS NOVELS ARE MOST POPULAR IN THE UNITED STATES AND FRANCE

LAST 7 NOVELS HAVE APPEARED AT THE TOP OF ALL MAJOR BEST SELLER LISTS, INCLUDING THE NEW YORK TIMES, BOOK SENSE, THE TIMES (LONDON) LE MONDE, PUBLISHERS WEEKLY, USA TODAY, & THE WALL STREET JOURNAL

THE WOODS WAS ON THE BEST SELLERS LISTS ACROSS AMERICA AND ALONG WITH PROMISE ME WAS NAMED ONE OF THE BEST THRILLERS OF THE YEAR BY LIBRARY JOURNAL

HIS BOOKS HAVE BEEN PUBLISHED IN 38 LANGUAGES AND OVER 40 MILLION COPIES HAVE BEEN SOLD WORLDWIDE

HOLD TIGHT PUBLISHED IN THE US ON APRIL 15, 2008 QUICKLY ASCENDED TO THE TOP OF THE NY TIMES BEST SELLER LIST THE WEEK OF MAY 1-8, 2008

AWARDS: 2001-TELL NO ONE: NOMINATED FOR EDGAR, ANTHONY, MACAVITY, NERO, BARRY, AUDIE, # 1 HARDCOVER ON BOOK SENSE 76 LIST, MOST DECORATED THRILLER OF 2001

2003-NO SECOND CHANCE FIRST EVER INTERNATIONAL BOOK OF THE MONTH FOR BOOKSPAN

SINCE 1995: WON AN EDGAR, SHAMUS, AND ANTHONY ---FIRST WRITER TO WIN ALL 3

ON THE SHORTLIST FOR THE BRITISH BOOK AWARDS AUTHOR OF THE YEAR (OSCAR OF THE BOOK TRADE). THE 1ST AMERICAN TO MAKE THE LIST

FILMS: TELL NO ONE RELEASED AS A FILM IN FRANCE IN 2006, GROSSED OVER $32 MILLION; TO BE RELEASED IN US IN THE SUMMER OF 2008; VARIETY CALLS THE FILM, “A SHARP, EFFICIENT PACKAGE.”

TELEVISION: FOX TV HAS PURCHASED THE RIGHTS TO THE POPULAR MYRON BOLITAR SERIES FOR A PILOT BY BONES



“The van was white with tinted windows. The back doors were open like a mouth waiting to swallow her whole. And standing there, right by those doors, now taking hold of Marianne and pushing her up inside the van, was the man with the bushy mustache.

Marianne tried to pull up, but it was no use.

Mustache tossed her in as if she was a sack of peat moss. She landed on the van’s floor with a thud. He crawled in, closed the back doors, and stood over her. Marianne rolled into a fetal position. Her stomach still ached, but fear was taking over now.

The man peeled off his mustache and smiled at her. The van started moving. Straw Hair must be driving.

“Hi Marianne,” he said.

She couldn’t move, couldn’t breath. He sat next to her, pulled his fist back, and punched her hard in the stomach.

If the pain had been bad before, it went to another dimension now.

“Where’s the tape? he asked.

And then he began to hurt her for real.”

“HOW MUCH SHOULD PARENTS REALLY WANT TO KNOW ABOUT THEIR KIDS?”---Dutton Publishing


One of the greatest thriller writers in history is back with a provocative new novel, Hold Tight. Harlan Coben weaves of tale that combines intrigue and technology in this incredible page turner. Seemingly divergent plots weave a tale of sex and death in the best edge of your seat story of 2008. Coben has a knack for taking the mundane occurrences in life and turning them upside down into scary thrillers that are among the most compulsive page turners in writing history. He singled handedly has invented what has been referred to as “the family thriller.” The family thriller involves tingling situations where ordinary people are forced to confront modern day fears when they are placed in situations that rapidly become beyond their control. You always have that, “but for the grace of God, there go I,” feeling when you read Coben’s books. His newest effort, Hold Tight is just such a book. Coben boldly expands on the family thriller in this joyride of a book.

Hold Tight asks the simple questions: what would you do to keep your kids safe? Are you willing to spy on your kids to keep them for harm? How far is too far? How far is not far enough? Are there things you do not want to know about your children? In this book, Coben takes unforeseen events and weaves multiple plots into an amazing climax, all the while asking the question: How do you weigh your child’s privacy against the parent’s right to know? Do parents have ‘the right or the duty’ to spy on their children to keep them safe? How can you tell what is normal rebellious teenage behavior from an out of control cry for help? In his 15th novel, Coben addresses these questions and scares the dickens out of us, in this well-crafted thriller.

Tia and Mike Baye have a normal family, (kinda like Ward & June Cleaver) complete with an 11 year old precocious daughter, and a hockey loving teenage son. But sixteen year old Adam suddenly becomes distant and sullen after his best friend, Spencer Hill suddenly commits suicide. The parents become more and more concerned. Finally, out of desperation, they install a spyware program on Adam’s computer, the will appraise them of every e-mail, IM, and text message he sends and receives. When a message comes to their attention, “Just stay quiet and all safe,” they are jolted. Spencer Hill supposedly died alone, but Spencer’s mother, Betsy Hill, discovers that Adam may have been with Spencer the night before his death. Before anyone can get to the bottom of just what Adam knows about Spencer’s death, Adam disappears. Mike Baye, a doctor and Tia Baye, a lawyer, are not the types to just sit around, so action is taken to find Adam. Long hidden secrets in the neighborhood and among its children begin to surface. At the same time, one woman is found dead and another is missing, and somehow the police suspect all of these matters are connected to Dr. Baye and his missing prescription pads. This could cost Dr. Mike everything.

As if Mike Baye isn’t dealing with enough, he also learns that Lucas Loriman, the sweet kid who grew up next door, is in urgent need of a kidney transplant. As the boy’s doctor, Mike suddenly finds himself in possession of an explosive secret that threatens to rip the Loriman family apart.

Eleven year Jill Baye is sticking by her best friend Yasmin after a teacher at school made such a devastating remark to her, that her classmates have teased her to the point where Yasmin and her hard-luck, single parent father are considering moving away. This is something Jill does not want to happen.

Mike’s best hope is to track Adam by using the GPS on his phone. Somehow Adam is connected to a strange teen club in Manhattan and a killer who is on the loose named Nash who takes a little too much pleasure in his work. Randomly, yet selectively killing women in the neighborhood, the police seem to think these women knew each other. “We're not even sure what he's trying to accomplish: just that he's very, very good at it; and very, very scary.” Nash is the scariest character I’ve read so far this year.

This is by far and away Coben’s best book to date. He spins several plotlines that at first seem disconnected and then slowly weaves them into a tale that is frightening, and intriguing at the same time. In this book, we are witnesses to a master storyteller who takes us on a giant thrill ride from start to finish. This is the freshest family thriller of 2008, and Coben is clearly at the top of his game. Don’t let anyone interrupt you when you read this one. There is too much going on to answer the phone. Gripping and thrilling, this one is masterful. Harlan, clear off a few spots on that award shelf at home, you’re about to collect some more hardware. Nearly a perfect book, this one is almost a 6 star effort. The inventor of the family thriller is at the top of his craft, and if you read only one book this summer…

Sunday, May 11, 2008

Video on David Baldacci and his new book, The Whole Truth

http://www.youtube.com/watch?v=Z48rUVUXdy0

The Whole Truth

THE ENTERTAINMENT CRITIC BOOK REVIEW, BY JAMES MYERS
www.theentertainmentcritic.com
www.theentertainmentcritic.net
www.theentertainmentcriticmagazine.com

THE WHOLE TRUTH
By David Baldacci
Published by: Grand Central Publishing
Publication Date: April, 2008
Price: $26.95
406 Pages
ISBN-13: 9780446195973
Four Star Rating ****

BALDACCI RECEIVED A B.A. FROM VIRGINIA COMMONWEALTH UNIVERSITY AND A LAW DEGREE FROM THE UNIVERSITY OF VIRGINIA. AS A STUDENT, BALDACCI WROTE SHORT STORIES IN HIS SPARE TIME, AND LATER PRACTICED LAW FOR NINE YEARS NEAR WASHINGTON, D.C.

WHILE LIVING IN ALEXANDRIA, VIRGINIA, BALDACCI WROTE SHORT STORIES AND SCREENPLAYS WITHOUT MUCH SUCCESS. IN DESPAIR, HE TURNED TO NOVEL WRITING, TAKING THREE YEARS TO WRITE ABSOLUTE POWER. IT TOOK BALDACCI TWO YEARS TO GET THE BOOK PUBLISHED, BUT WHEN IT FINALLY DID HIT THE SHELVES IN 1996 IT WAS AN INTERNATIONAL BEST SELLER.

IT WAS MADE INTO A FILM, ABSOLUTE POWER (1997), STARRING CLINT EASTWOOD AND GENE HACKMAN

BALDACCI HAS GONE ON TO PUBLISH FOURTEEN MORE NOVELS: TOTAL CONTROL, THE WINNER, THE SIMPLE TRUTH, SAVING FAITH, WISH YOU WELL, LAST MAN STANDING, THE CHRISTMAS TRAIN, SPLIT SECOND, HOUR GAME, CAMEL CLUB, THE COLLECTORS, SIMPLE GENIUS, STONE COLD, AND THE YOUNG ADULT NOVEL FREDDY AND THE FRENCH FRIES: FRIES ALIVE! HE HAS ALSO PUBLISHED A NOVELLA FOR THE DUTCH ENTITLED OFFICE HOURS, WRITTEN FOR THE NETHERLANDS' YEAR 2000 "MONTH OF THE THRILLER". BALDACCI ALSO AUTHORED A SHORT STORY, "THE MIGHTY JOHNS", AS PART OF A 2002 MYSTERY ANTHOLOGY.

BALDACCI HAS AUTHORED SEVEN ORIGINAL SCREENPLAYS, AND HIS WORKS HAVE BEEN PUBLISHED IN MAGAZINES, NEWSPAPERS, AND JOURNALS THROUGHOUT THE WORLD. ALL OF HIS BOOKS HAVE BECOME NATIONAL AND INTERNATIONAL BESTSELLERS, TRANSLATED INTO OVER 37 LANGUAGES AND SOLD IN MORE THAN 85 COUNTRIES. OVER 40 MILLION COPIES OF BALDACCI'S BOOKS ARE IN PRINT WORLDWIDE.

DAVID BALDACCI SERVES AS A NATIONAL AMBASSADOR FOR THE NATIONAL MULTIPLE SCLEROSIS SOCIETY AND PARTICIPATES IN NUMEROUS CHARITIES AS WELL AS FOUNDING HIS OWN FAMILY FOUNDATION FOR LITERACY, WISH YOU WELL FOUNDATION.

“AT PRECISELY ZERO HOURS UT, or midnight Universal Time, the image of the tortured man erupted onto the world’s most popular Web site.
The first six words he spoke would be remembered forever by everyone who heard them.
“I am dead. I was murdered.”
He was speaking Russian on the screen but at the bottom his tragic story was retold in virtually any language one desired with the press of a key. Secret Russian Federation police had beaten “confessions” of treason out of him and his family. He’d managed to escape and make this crude video.
Whoever held the camera had either been scared to death, drunk, or both, for the grainy film vibrated and shook every few seconds.
The man said if the video had been released that meant he’d been recaptured by government thugs and was already dead.
His crime? Simply wanting freedom.
“There are tens of thousands just like me,” he told the world. “Their bones lie heavy on the frozen tundra of Siberia and in the deep waters of Lake Balkhash in Kazakhstan. You will see evidence of this soon. There are others who will take up the fight now that I am gone.”
He warned that while the world had focused on the Osama bin Ladens of the world for so long, the old evil, with a destructive force a million times greater than the combined Islamic renegades, was clearly back, and deadlier than ever.
“It is time the world knew the whole truth,” he shouted at the camera, then broke down in tears.
“My name is Konstantin. My name was Konstantin,” he corrected. “It is too late for me and my family. We are all dead now. My wife, my three children, all gone. Do not forget me, and why I died. Do not let my family perish in vain.”
As the man’s image and voice faded from view, a mushroom cloud lit up the screen, and superimposed on the bottom of this horrifying visual was the ominous tagline: First the Russian people, then the rest of the world. Can we afford to wait? “

“Wars are the easiest things to start and the hardest things to end.”
---David Baldacci, The Whole Truth


The versatile David Baldacci is back with his new political thriller, The Whole Truth. This novel asks a unique question: What if the entire world, governments, leaders, and citizens around the globe were united on a crusade to stop an evil that doesn’t exist, was completely fabricated, and promulgated in a savvy public relations ploy through mass communications and the Internet. In his 15th legal thriller, Baldacci asks, how would we respond to an imaginary global crisis? Baldacci has elected to take us one step beyond 1984, by giving us a look behind the curtain at the wizard himself.

Nicholas Creed, owner and operator of the Ayres Corporation, is a billionaire military weapons manufacturer who has no boundaries for his ambitions. Creed wants to restructure the world in his own image, and he has the wealth, power and knowledge to do it. He can control world order by manipulating not only people, but entire countries. He wants to take the focus off the Mideast, and bring back The Cold War to put the world’s ire back where it belongs. He hires Dick Pender, former White House staffer and spinmaster, founder of Pender and Associates, a highly profitable perception magician who specializes in “perception management.” ("Dick, I need a war.") Perception management does not spin facts or stories; it prefers to manufacture the facts and sell them to the naïve public as true. ('Why waste time trying to discover the truth, when you can so easily create it?') Creed needs a war to boost sagging arms sales; Pender produces a fabricated “You Tube” type video, consisting of doctored news footage, and an actor, Konstantin, who claims thousands are being killed by a “Secret Russian Federation.” The actor on the video speaks, 'It is time the world knew THE WHOLE TRUTH.' The result is that the world condemns Russia as mass murderers. A build up of arms between Russia and China begins in earnest. The smear campaign works, enabling Creed to push and escalate an arms race, making his company wildly profitable.

Shaw, a mystery man with no past, working for a super secret agency of the US government, has lived many lives outwitting terrorists, drug lords, skinhead and international wrong doers. He is a James Bond-like figure, and Baldacci’s most intriguing character. As a hired gun, it is his job to find out who and what is behind this great fabrication. He works for this agency under duress (they’ve planted an explosive tracking device in his arm). He’d like to retire and settle down with his fiancee, Anna Fischer, who works for the Phoenix Group think tank. Unfortunately, the think tank is one of the pawns in the Creed/Pender network. The book really begins to heat up, when Anna sends an e-mail critical of the invented Russian story to an Internet blogger. By accident she has put her man into the dead center of this controversy. A team of supposed Russian hit men invade the Phoenix Group and kill everyone in the building --- including Anna. When Shaw learns of this, he re-ups with his agency and vows to find and destroy the people behind this massacre.

A fourth figure in this novel is Katie James, a journalist, who has written a story that turns out to be completely false, and return from Afghanistan an alcoholic barely able to handle her new assignment, the obit column. A two-time Pulitzer Prize-winner, disgraced and demoted, she is determined to get back into the limelight by landing a major story. Inadvertently, she stumbles on to an operation involving Shaw, who saves her life, but condemns her to life on the run with him. She may have finally found the biggest story of her life; that is if Shaw can keep them both alive. She and Shaw are on the run throughout the U.S. and Europe, just a half step ahead of the killers while trying to work out just what is the whole truth.

Baldacci’s tale is striking on several levels. Well written, great prose, spy-like dialogue and breathtaking suspense make this a great political thriller. The Shaw is a character we hope to see a lot more of. I get the feeling that Baldacci could create a whole series of thrillers around this guy.

Baldacci is the master of engrossing political tomes that are centered on frightening modern realities. The ease that the communications made through the ‘Net can be misused to mislead is a disturbing thought-provoking concept. Video is so easily distributed to your MySpace and Facebook pages, that mass movements, commercial and political, can be created overnight. No one is better at warning about the modern day Big Lie like David Baldacci. Big Brother meets You Tube in this one of kind international thriller. Bond and Bourne have nothing on Baldacci. This is an international spy thriller that you just cannot put down.


New Book Review From the Entertainment Critic: The Whole Truth by David Baldacci


The Whole Truth

THE ENTERTAINMENT CRITIC BOOK REVIEW, BY JAMES MYERS
www.theentertainmentcritic.com
www.theentertainmentcritic.net
www.theentertainmentcriticmagazine.com

THE WHOLE TRUTH
By David Baldacci
Published by: Grand Central Publishing
Publication Date: April, 2008
Price: $26.95
406 Pages
ISBN-13: 9780446195973
Four Star Rating ****

BALDACCI RECEIVED A B.A. FROM VIRGINIA COMMONWEALTH UNIVERSITY AND A LAW DEGREE FROM THE UNIVERSITY OF VIRGINIA. AS A STUDENT, BALDACCI WROTE SHORT STORIES IN HIS SPARE TIME, AND LATER PRACTICED LAW FOR NINE YEARS NEAR WASHINGTON, D.C.

WHILE LIVING IN ALEXANDRIA, VIRGINIA, BALDACCI WROTE SHORT STORIES AND SCREENPLAYS WITHOUT MUCH SUCCESS. IN DESPAIR, HE TURNED TO NOVEL WRITING, TAKING THREE YEARS TO WRITE ABSOLUTE POWER. IT TOOK BALDACCI TWO YEARS TO GET THE BOOK PUBLISHED, BUT WHEN IT FINALLY DID HIT THE SHELVES IN 1996 IT WAS AN INTERNATIONAL BEST SELLER.

IT WAS MADE INTO A FILM, ABSOLUTE POWER (1997), STARRING CLINT EASTWOOD AND GENE HACKMAN

BALDACCI HAS GONE ON TO PUBLISH FOURTEEN MORE NOVELS: TOTAL CONTROL, THE WINNER, THE SIMPLE TRUTH, SAVING FAITH, WISH YOU WELL, LAST MAN STANDING, THE CHRISTMAS TRAIN, SPLIT SECOND, HOUR GAME, CAMEL CLUB, THE COLLECTORS, SIMPLE GENIUS, STONE COLD, AND THE YOUNG ADULT NOVEL FREDDY AND THE FRENCH FRIES: FRIES ALIVE! HE HAS ALSO PUBLISHED A NOVELLA FOR THE DUTCH ENTITLED OFFICE HOURS, WRITTEN FOR THE NETHERLANDS' YEAR 2000 "MONTH OF THE THRILLER". BALDACCI ALSO AUTHORED A SHORT STORY, "THE MIGHTY JOHNS", AS PART OF A 2002 MYSTERY ANTHOLOGY.

BALDACCI HAS AUTHORED SEVEN ORIGINAL SCREENPLAYS, AND HIS WORKS HAVE BEEN PUBLISHED IN MAGAZINES, NEWSPAPERS, AND JOURNALS THROUGHOUT THE WORLD. ALL OF HIS BOOKS HAVE BECOME NATIONAL AND INTERNATIONAL BESTSELLERS, TRANSLATED INTO OVER 37 LANGUAGES AND SOLD IN MORE THAN 85 COUNTRIES. OVER 40 MILLION COPIES OF BALDACCI'S BOOKS ARE IN PRINT WORLDWIDE.

DAVID BALDACCI SERVES AS A NATIONAL AMBASSADOR FOR THE NATIONAL MULTIPLE SCLEROSIS SOCIETY AND PARTICIPATES IN NUMEROUS CHARITIES AS WELL AS FOUNDING HIS OWN FAMILY FOUNDATION FOR LITERACY, WISH YOU WELL FOUNDATION.

“AT PRECISELY ZERO HOURS UT, or midnight Universal Time, the image of the tortured man erupted onto the world’s most popular Web site.
The first six words he spoke would be remembered forever by everyone who heard them.
“I am dead. I was murdered.”
He was speaking Russian on the screen but at the bottom his tragic story was retold in virtually any language one desired with the press of a key. Secret Russian Federation police had beaten “confessions” of treason out of him and his family. He’d managed to escape and make this crude video.
Whoever held the camera had either been scared to death, drunk, or both, for the grainy film vibrated and shook every few seconds.
The man said if the video had been released that meant he’d been recaptured by government thugs and was already dead.
His crime? Simply wanting freedom.
“There are tens of thousands just like me,” he told the world. “Their bones lie heavy on the frozen tundra of Siberia and in the deep waters of Lake Balkhash in Kazakhstan. You will see evidence of this soon. There are others who will take up the fight now that I am gone.”
He warned that while the world had focused on the Osama bin Ladens of the world for so long, the old evil, with a destructive force a million times greater than the combined Islamic renegades, was clearly back, and deadlier than ever.
“It is time the world knew the whole truth,” he shouted at the camera, then broke down in tears.
“My name is Konstantin. My name was Konstantin,” he corrected. “It is too late for me and my family. We are all dead now. My wife, my three children, all gone. Do not forget me, and why I died. Do not let my family perish in vain.”
As the man’s image and voice faded from view, a mushroom cloud lit up the screen, and superimposed on the bottom of this horrifying visual was the ominous tagline: First the Russian people, then the rest of the world. Can we afford to wait? “

“Wars are the easiest things to start and the hardest things to end.”
---David Baldacci, The Whole Truth


The versatile David Baldacci is back with his new political thriller, The Whole Truth. This novel asks a unique question: What if the entire world, governments, leaders, and citizens around the globe were united on a crusade to stop an evil that doesn’t exist, was completely fabricated, and promulgated in a savvy public relations ploy through mass communications and the Internet. In his 15th legal thriller, Baldacci asks, how would we respond to an imaginary global crisis? Baldacci has elected to take us one step beyond 1984, by giving us a look behind the curtain at the wizard himself.

Nicholas Creed, owner and operator of the Ayres Corporation, is a billionaire military weapons manufacturer who has no boundaries for his ambitions. Creed wants to restructure the world in his own image, and he has the wealth, power and knowledge to do it. He can control world order by manipulating not only people, but entire countries. He wants to take the focus off the Mideast, and bring back The Cold War to put the world’s ire back where it belongs. He hires Dick Pender, former White House staffer and spinmaster, founder of Pender and Associates, a highly profitable perception magician who specializes in “perception management.” ("Dick, I need a war.") Perception management does not spin facts or stories; it prefers to manufacture the facts and sell them to the naïve public as true. ('Why waste time trying to discover the truth, when you can so easily create it?') Creed needs a war to boost sagging arms sales; Pender produces a fabricated “You Tube” type video, consisting of doctored news footage, and an actor, Konstantin, who claims thousands are being killed by a “Secret Russian Federation.” The actor on the video speaks, 'It is time the world knew THE WHOLE TRUTH.' The result is that the world condemns Russia as mass murderers. A build up of arms between Russia and China begins in earnest. The smear campaign works, enabling Creed to push and escalate an arms race, making his company wildly profitable.

Shaw, a mystery man with no past, working for a super secret agency of the US government, has lived many lives outwitting terrorists, drug lords, skinhead and international wrong doers. He is a James Bond-like figure, and Baldacci’s most intriguing character. As a hired gun, it is his job to find out who and what is behind this great fabrication. He works for this agency under duress (they’ve planted an explosive tracking device in his arm). He’d like to retire and settle down with his fiancee, Anna Fischer, who works for the Phoenix Group think tank. Unfortunately, the think tank is one of the pawns in the Creed/Pender network. The book really begins to heat up, when Anna sends an e-mail critical of the invented Russian story to an Internet blogger. By accident she has put her man into the dead center of this controversy. A team of supposed Russian hit men invade the Phoenix Group and kill everyone in the building --- including Anna. When Shaw learns of this, he re-ups with his agency and vows to find and destroy the people behind this massacre.

A fourth figure in this novel is Katie James, a journalist, who has written a story that turns out to be completely false, and return from Afghanistan an alcoholic barely able to handle her new assignment, the obit column. A two-time Pulitzer Prize-winner, disgraced and demoted, she is determined to get back into the limelight by landing a major story. Inadvertently, she stumbles on to an operation involving Shaw, who saves her life, but condemns her to life on the run with him. She may have finally found the biggest story of her life; that is if Shaw can keep them both alive. She and Shaw are on the run throughout the U.S. and Europe, just a half step ahead of the killers while trying to work out just what is the whole truth.

Baldacci’s tale is striking on several levels. Well written, great prose, spy-like dialogue and breathtaking suspense make this a great political thriller. The Shaw is a character we hope to see a lot more of. I get the feeling that Baldacci could create a whole series of thrillers around this guy.

Baldacci is the master of engrossing political tomes that are centered on frightening modern realities. The ease that the communications made through the ‘Net can be misused to mislead is a disturbing thought-provoking concept. Video is so easily distributed to your MySpace and Facebook pages, that mass movements, commercial and political, can be created overnight. No one is better at warning about the modern day Big Lie like David Baldacci. Big Brother meets You Tube in this one of kind international thriller. Bond and Bourne have nothing on Baldacci. This is an international spy thriller that you just cannot put down.


http://www.theentertainmentcriticmagazine.com

Saturday, May 10, 2008

New Book Review From the Entertainment Critic: Hollywood Crows by Joseph Wambaugh


Hollywood Crows

THE ENTERTAINMENT CRITIC BOOK REVIEW, BY JAMES MYERS
www.theentertainmentcritic.com
www.theentertainmentcritic.net
www.theentertainmentcriticmagazine.com

HOLLYWOOD CROWS
By Joseph Wambaugh
Published by: Little, Brown & Company
Publication Date: March, 2008
Price: $26.99
343 Pages
ISBN-13: 9780316025287
Four Star Rating ****

JOSEPH ALOYSIUS WAMBAUGH, JR. (BORN JANUARY 22, 1937, IN EAST PITTSBURGH, PENNSYLVANIA) IS AN AMERICAN WRITER KNOWN FOR HIS FICTIONAL AND NON-FICTIONAL ACCOUNTS OF POLICE WORK IN THE UNITED STATES.

SERVED 14 YEARS IN THE LOS ANGELES POLICE DEPARTMENT

WAMBAUGH'S UNIQUE PERSPECTIVE ON THE REALITIES OF POLICE WORK LED TO HIS FIRST NOVEL, THE NEW CENTURIONS, WHICH WAS PUBLISHED EARLY IN 1971 TO CRITICAL ACCLAIM AND POPULAR SUCCESS. THE SUCCESS OF THE EARLY BOOKS HAPPENED WHILE WAMBAUGH WAS STILL WORKING IN THE DETECTIVE DIVISION. HE REPORTEDLY REMARKED "I WOULD HAVE GUYS IN HANDCUFFS ASKING ME FOR AUTOGRAPHS." SOON TURNING TO WRITING FULL-TIME, WAMBAUGH WAS PROLIFIC AND POPULAR STARTING IN THE 1970S, MIXING NOVELS (THE BLUE KNIGHT, THE CHOIRBOYS, THE BLACK MARBLE) WITH NONFICTION ACCOUNTS OF CRIME AND DETECTION A.K.A. "TRUE CRIME" (THE ONION FIELD). LATER BOOKS INCLUDED THE GLITTER DOME (A TV-MOVIE ADAPTATION STARRED JAMES GARNER AND JOHN LITHGOW), THE DELTA STAR, AND LINES AND SHADOWS.

HIS TRADEMARK IS GRITTY POLICE CHARACTERS THAT HAVE HEROIC FLAWS

MANY OF HIS BOOKS WERE MADE INTO FEATURE FILMS OR TV-MOVIES DURING THE 70S AND 80S. THE BLUE KNIGHT, A NOVEL FOLLOWING THE APPROACHING RETIREMENT AND LAST WORKING DAYS OF AGING VETERAN BEAT COP "BUMPER" MORGAN, WAS MADE INTO AN EMMY-WINNING 1973 TV MINISERIES STARRING WILLIAM HOLDEN AND LATER A SHORT-LIVED TV SERIES STARRING GEORGE KENNEDY. HIS REALISTIC APPROACH TO POLICE DRAMA WAS HIGHLY INFLUENTIAL IN BOTH FILM AND TELEVISION DEPICTIONS (SUCH AS HILL STREET BLUES) FROM THE MID-70S ONWARD.

WAMBAUGH WAS ALSO INVOLVED WITH CREATING/DEVELOPING THE NBC SERIES POLICE STORY, WHICH RAN FROM 1973 TO 1977. THE ANTHOLOGY SHOW COVERED THE DIFFERENT ASPECTS OF POLICE WORK (PATROL, DETECTIVE, UNDERCOVER, ETC.) IN THE LAPD WITH STORY IDEAS AND CHARACTERS SUPPOSEDLY INSPIRED BY OFF-THE-RECORD TALKS WITH ACTUAL POLICE OFFICERS. AT TIMES THE SHOW'S CHARACTERS ALSO DEALT WITH PROBLEMS NOT USUALLY SEEN OR ASSOCIATED WITH TYPICAL TV COP SHOWS, SUCH AS ALCOHOL ABUSE, ADULTERY, AND BRUTALITY. THE SHOW HAD A BRIEF REVIVAL ON ABC DURING THE 1988-1989 SEASON.

WAMBAUGH WAS ALSO INVOLVED IN THE PRODUCTION OF THE ACCLAIMED FILM VERSIONS OF THE ONION FIELD (1979) AND THE BLACK MARBLE (1980), BOTH DIRECTED BY HAROLD BECKER. IN 1981, HE WON AN EDGAR AWARD FROM THE MYSTERY WRITERS OF AMERICA FOR HIS SCREENPLAY FOR THE LATTER FILM. THIS WAS AFTER THE CHOIRBOYS FILM ADAPTATION HAD MET WITH VERY POOR CRITICAL AND AUDIENCE RECEPTION A FEW YEARS EARLIER. INTERESTINGLY, ALL THREE FILMS FEATURED PERFORMANCES BY THEN YOUNG UP-AND-COMING ACTOR JAMES WOODS.

ONE OF WAMBAUGH'S MOST FAMOUS NONFICTION BOOKS IS THE BLOODING, WHICH TELLS THE STORY BEHIND HOW AN EARLY LANDMARK CASE INVOLVING DNA FINGERPRINTING HELPED SOLVE TWO MURDERS IN LEICESTER, ENGLAND, RESULTING IN THE ARREST AND CONVICTION OF COLIN PITCHFORK.

IN 2003, FIRE LOVER: A TRUE STORY BROUGHT WAMBAUGH HIS SECOND EDGAR AWARD, FOR BEST CRIME FACT BOOK, AND IN 2004 HE WAS THE RECIPIENT OF AN MWA GRAND MASTER AWARD. HE RETURNED TO FICTION WITH HOLLYWOOD STATION (2006), HIS FIRST BOOK DEPICTING LIFE IN THE LAPD SINCE THE DELTA STAR (1983). HOLLYWOOD STATION WAS HIGHLY CRITICAL OF CONDITIONS CAUSED BY THE FEDERAL CONSENT DECREE UNDER WHICH THE LAPD HAD TO OPERATE AFTER THE RAMPART SCANDAL.

IN THE 2000S, WAMBAUGH ALSO BEGAN TEACHING SCREENWRITING COURSES AS A GUEST LECTURER FOR THE THEATER DEPARTMENT AT THE UNIVERSITY OF CALIFORNIA SAN DIEGO.





“Dude, you better drop that long knife,” the tall, suntanned cop said. At Hollywood Station they called him “Flotsam” by virtue of his being a surfing enthusiast.His shorter partner, also with a major tan, hair even more suspiciously blond and sun streaked, dubbed “Jetsam” for the same reason, said, sotto voce, “Bro, that ain’t a knife. That’s a bayonet, in case you can’t see too good. And why didn’t you check out a Taser and a bean-bag gun from the kit room, is what I’d like to know. That’s what the DA’s office and FID are gonna ask if we have to light him up. Like, ‘Why didn’t you officers use nonlethal force?’ Like, ‘Why’d that Injun have to bite the dust when you coulda captured him alive?’ That’s what they’ll say.”“I thought you checked them out and put them in the trunk. You walked toward the kit room.”“No, I went to the john. And you were too busy ogling Ronnie to know where I was at,” Jetsam said. “Your head was somewheres else. You gotta keep your mind in the game, bro.”Everyone on the midwatch at Hollywood Station knew that Jetsam had a megacrush on Officer Veronica “Ronnie” Sinclair and got torqued when Flotsam or anybody else flirted with her. In any case, both surfer cops considered it sissified to carry a Taser on their belts.Referring to section 5150 of the Welfare and Institutions Code, which all cops used to describe a mental case, Flotsam whispered, “Maybe this fifty-one-fifty’s trashed on PCP, so we couldn’t taze him anyways. He’d swat those darts outta him like King Kong swatted the airplanes. So just chill. He ain’t even giving us the stink eye. He just maybe thinks he’s a wooden Indian or something.”“Or maybe we’re competing with a bunch of other voices he’s hearing and they’re scarier,” Jetsam observed. “Maybe we’re just echoes.”They’d gotten nowhere by yelling the normal commands to the motionless Indian, a stooped man in his early forties, only a decade older than they were but with a haggard face, beaten down by life. And while the cops waited for the backup they’d requested, they’d begun speaking to him in quiet voices, barely audible in the unlit alley over the traffic noise on Melrose Avenue. It was there that 6-X-46 had chased and cornered him, a few blocks from Paramount Studios, from where the code 2 call had come.The Indian had smashed a window of a boutique to steal a plus-size gold dress with a handkerchief hemline and a red one with an empire waist. He’d squeezed into the red dress and walked to the Paramount main gate, where he’d started chanting gibberish and, perhaps prophetically, singing “Jailhouse Rock” before demanding admittance from a startled security officer who had dialed 9-1-1.“These new mini-lights ain’t worth a shit,” Jetsam said, referring to the small flashlights that the LAPD bought and issued to all officers ever since a widely viewed videotaped arrest showed an officer striking a combative black suspect with his thirteen-inch aluminum flashlight, which caused panic in the media and in the police commission and resulted in the firing of the Latino officer.After this event, new mini-flashlights that couldn’t cause harm to combative suspects unless they ate them were ordered and issued to new recruits. Everything was fine with the police commission and the cop critics except that the high-intensity lights set the rubber sleeves on fire and almost incinerated a few rookies before the Department recalled all of those lights and ordered these new ten-ouncers.Jetsam said, “Good thing that cop used flashlight therapy instead of smacking the vermin with a gun. We’d all be carrying two-shot derringers by now.”Flotsam’s flashlight seemed to better illuminate the Indian, who stood staring up white-eyed at the starless smog-shrouded sky, his back to the graffiti-painted wall of a two-story commercial building owned by Iranians, leased by Vietnamese. The Indian may have chosen the red dress because it matched his flip-flops. The gold dress lay crumpled on the asphalt by his dirt-encrusted feet, along with the cut-offs he’d been wearing when he’d done the smash-and-grab.So far, the Indian hadn’t threatened them in any way. He just stood like a statue, his breathing shallow, the bayonet held down against his bare left thigh, which was fully exposed. He’d sliced the slit in the red dress clear up to his flank, either for more freedom of movement or to look more provocative.“Dude,” Flotsam said to the Indian, holding his Glock nine in the flashlight beam so the Indian could observe that it was pointed right at him, “I can see that you’re spun out on something. My guess is you been doing crystal meth, right? And maybe you just wanted an audition at Paramount and didn’t have any nice dresses to wear to it. I can sympathize with that too. I’m willing to blame it on Oscar de la Renta or whoever made the fucking things so alluring. But you’re gonna have to drop that long knife now or pretty soon they’re gonna be drawing you in chalk on this alley.”Jetsam, whose nine was also pointed at the ponytailed Indian, whispered to his partner, “Why do you keep saying long knife to this zombie instead of bayonet?”“He’s an Indian,” Flotsam whispered back. “They always say long knife in the movies.”“That refers to us white men!” Jetsam said. “We’re the fucking long knives!”“Whatever,” said Flotsam. “Where’s our backup, anyhow? They coulda got here on skateboards by now.”When Flotsam reached tentatively for the pepper-spray canister on his belt, Jetsam said, “Uncool, bro. Liquid Jesus ain’t gonna work on a meth-monster. It only works on cops. Which you proved the time you hit me with act-right spray instead of the ’roided-up primate I was doing a death dance with.”“You still aggro over that?” Flotsam said, remembering how Jetsam had writhed in pain after getting the blast of OC spray full in the face while they and four other cops swarmed the hallucinating body-builder who was paranoid from mixing recreational drugs with steroids. “Shit happens, dude. You can hold a grudge longer than my ex-wife.”In utter frustration, Jetsam finally said quietly to the Indian, “Bro, I’m starting to think you’re running a game on us. So you either drop that bayonet right now or the medicine man’s gonna be waving chicken claws over your fucking ashes.”


The greatest writer of cop stories is back. Joseph Wambaugh has written his 18th novel, Hollywood Crows, completed with greedy business owners, lusty wives and conflicted cops. The femme fatale in this one is Margot Aziz, the beautiful stripper, soon to be ex-wife, of Ali Aziz, owner of a strip club on Sunset Boulevard. Margot firm desire is to be rid of her husband and all of his shady business deals. She wants his money and that’s all. Aziz wants her dead. Margot has his fortune in hand and custody of his son. The issue in the book is how far will the lady go to get what she wants, since it is very apparent that she knows how to use what she has to get anything she wants. Because she suspects the husband wants to take their 9-year-old son out of the country to live, the stripper is planning to kill her husband. She connives to try to get a CROW to kill her husband by seducing the cop and setting him up to be the fall guy.

Nate Weiss, nicknamed ‘Hollywood’ is a cop “hungry for stardom and looking for love.” He and his partner Bix Rumstead, think Margot is just a socialite going through a divorce that is a little messy. They don’t know she is setting them up. They don’t know that outside forces are at work to eliminate them. Nate wants Margot, but then again who doesn’t? He works with a squad of surfer cops, tough women, and a few veterans known as the ‘Hollywood Crows.’ The title refers to a special division, the community relations officers, whose members are called the CROWS by the police in other divisions. They deal with calls like noisy neighbors, domestic disturbances, parking problems and other minor crimes. Spouses that want to kill each other are just a little bit out of their league. Typical of a Wambaugh book, Crows delves into love, passion, and deception with the men in blue, trying to protect and serve while trying to stay alive. Bad guys are indeed evil, but incurably careless, practically arresting themselves. Are the new cops up to the task? Is the old guard a better group? The writer leaves it to the readers to figure that one out.

Wambaugh’s style reads like a screenplay. Lots of gritty realistic dialogue and twists and turns fill up this realistic modern police novel. Lots of nasty police dialogue. Lots of nasty police situations. Lots of gruesome, gross scenes and descriptions. Revisiting the cops he introduced in his warmly received 2006 Hollywood Station, this sequel lives up to its advanced billing. Plenty of old Wambaugh characters parade through this one, full of plot twists and turns that cannot help but to hold your attention. The master and the inventor of the modern police novel, Hollywood Crows is gritty truth, bawdy humor, brilliant characters, cool plotting, and irreverent humor that mark all of his books. The rhythm of this book about cops has the realistic feel that mark of all of Wambaugh’s efforts. Nobody knows or writes cops better than Joseph Aloysius Wambaugh. A vivid cop tale, this is the best police story of 2008; it is impossible to put down.


http://www.theentertainmentcriticmagazine.com

Thursday, May 8, 2008

New Book Review From the Entertainment Critic: The Host By Stephenie Meyer


BEST NEW RELEASE

The Host

THE ENTERTAINMENT CRITIC BOOK REVIEW, BY JAMES MYERS
www.theentertainmentcritic.com
www.theentertainmentcritic.net
www.theentertainmentcriticmagazine.com

THE BEST NEW RELEASE

THE HOST
By Stephenie Meyer
Published by: Little, Brown & Company
Publication Date: May 6, 2008
Price: $25.99
624 Pages
ISBN-13: 9780316068048
Five Star Rating *****

ONE OF THE MOST POPULAR AUTHORS IN THE WORLD
HER TWILIGHT SAGA HAS SOLD OVER 5 MILLION COPIES IN THE UNITED STATE ALONE
WON NUMEROUS HONORS, INCLUDING:

A NEW YORK TIMES EDITOR'S CHOICE
A PUBLISHERS WEEKLY BEST BOOK OF THE YEAR
AN AMAZON.COM "BEST BOOK OF THE DECADE...SO FAR"
A TEEN PEOPLE "HOT LIST" PICK
AN AMERICAN LIBRARY ASSOCIATION "TOP TEN BEST BOOK FOR YOUNG ADULTS" AND "TOP TEN BOOKS FOR RELUCTANT READERS”

HER BOOK, TWILIGHT HAS BEEN MADE INTO A MOVIE THAT WILL BE RELEASED IN DECEMBER OF 2008

TRANSLATED INTO 20 DIFFERENT LANGUAGES

THIS IS HER FIRST BOOK WRITTEN SPECIFICALLY FOR ADULTS
LITTLE BROWN HAS PRINTED A FIRST RUN PRINT OF 750,000 COPIES JUST TO MEET THE ANTICIPATED DEMAND
STEPHENIE IS ON A 10 DAY TOUR STARTING IN MAY OF 2008

IT IS THE FIRST OF A TRILOGY

ANOTHER NEW BOOK, BREAKING DAWN, WILL BE RELEASED IN AUGUST OF 2008


“Melanie squirmed, figuratively, in the recesses of my head as I tried to consider it rationally. Maybe I should give up…

The words them selves made me flinch. I, Wanderer, give up? Quit? Admit failure and try again in a weak, spineless host who wouldn’t give me any trouble?

I shook my head. I could barely stand to think of it.

And…this was my body. I was used to the feel of it. I like the way the muscles moved over the bones, the bend of the joints and the pull of the tendons. I knew the refection in the mirror. The sun-browned skin, the high, sharp bones of my face, the short silk cap of mahogany hair, the muddy green brown hazel of my eyes-this was me.

I wanted myself. I wouldn’t let what was mine be destroyed.”

Stephenie Meyer is the most popular writer of fiction for young adults in the world. In just 3 short years, her books are the most anticipated events of the publishing season. The Host is her first book written specifically for adults. Her eagerly anticipated adult debut will be one of the best selling books of 2008, and may very well be the best new science fiction thriller written this year. It is more than deserving of my highest rating.

Sometime in the future, our world has been invaded by an unseen parasitic enemy. Humans become hosts for the invaders; their mind is taken over while their bodies remain intact, and they continue their lives unchanged. Most of mankind has been taken over. Only a few humans remain, untouched by the hosts. One of those untouched humans is a young woman, Melanie Stryder, who fell down an elevator shaft trying to avoid the Seekers, a group of invaders who relentlessly pursue their prey. Melanie’s body may be broken but her spirit is not. Her memories refuse to fade away. When Wanderer, an invading soul is installed in Melanie’s body, she finds her memories, emotions, and senses are intact and powerful. So powerful, that many of Melanie’s feelings and life experiences become the Wanderer’s own. Wanderer encounters one other insurmountable problem, Melanie refuses to give up her mind.

In probing Melanie’s thoughts to locate other possible uninfected humans, the Wanderer finds her mind is filled with thought of the man Melanie loves, Jared, a human who with her brother Jamie is still in hiding. Wanderer is unable to separate herself from Melanie’s feelings for him, and she (Wanderer is also female) also longs for Jared. The powers to be tell Wanderer that because she is unable to subdue Melanie, that the want to remove her from Melanie’s body and send her somewhere else in space. Both Melanie and Wanderer, want desperately to see Jared, that they trick the Seeker assigned to the Wanderer, and set off to find Jared, who happens to be somewhere in the Arizona desert living with Melanie’s Uncle Jeb.

After a life threatening trek across the desert, they find Uncle Jeb has established an underground colony, and they locate a hostile and unforgiving Jared and Jamie. At first little Wanderer does not fit into the group, but Uncle Jeb takes her under his wing and she (they call her ‘Wanda’) and Melanie become an accepted part of the community. A pattern in all of Stephanie Meyer’s books then becomes complete; there is some underground society in all of her books that threatens human beings (like vampires) and an impossible love triangle arises. As Wanderer/Melanie become more accepted and needed by the group, Melanie is jealous of Wanderer’s attraction to Jared, and Wanderer attracts a man of her own Ian. The love triangle adds just the right touch of tension and hopelessness that mark all of Stephenie’s’ books. To complicate matters, the Seeker assigned to Wanderer finds her, threatening the safety of the entire underground community. Meyer resolves all issues in a surprising, but satisfactory manner. As with her first 3 books, this is the first of a trilogy for this group of characters. The book is well written, with great prose and interesting detail. The storyline in this book as with all of her books is among the most intriguing you will ever read. Quirky plots and fascinating characters are Meyer trademarks and The Host get high marks for both. This book personifies the phrase “edgy and unpredictable.” The reoccurring theme in this book about the potential for destruction stemming from violence and the infinite capacity of love as the salvation of man, gives the book just the right tension for interest. Deep and beautiful, the story is told with a certain haunting grace that makes this book one in a million. A riveting charmer, The Host is miraculous.

This marks Stephenie’s first foray into the adult market, and it is a soaring, memorable event that is not to be missed. I picked this book for the Best New Release of this quarter. Don’t be surprised if at the end of the year, this book is one of the year’s best sellers. This one is Science Fiction for everybody! There is a rare understanding of complex human emotions that make this book totally unique. Meyer’s talent and appeal have not hit their peek yet, but this is one of 2008’s very best books. You read it here first: when the ball drops in New York to mark the start of 2009, Stephenie Meyer will be the most popular writer on the globe. I gave this one my highest rating, and I think you will too.


http://www.theentertainmentcriticmagazine.com

Tuesday, May 6, 2008

New Book Review From The Entertainment Critic: Home by Julie Andrews


Home: A Memoir of My Early Years

THE ENTERTAINMENT CRITIC BOOK REVIEW, BY JAMES MYERS
www.theentertainmentcritic.com
www.theentertainmentcritic.net
www.theentertainmentcriticmagazine.com

HOME: A MEMOIR OF MY EARLY YEARS
By Julie Andrews
Published by: Hyperion
Publication Date: April 1, 2008
Price: $26.95
352 Pages
ISBN-13: 9780786865659
Four Star Rating ****

JULIE ELIZABETH ANDREWS, DBE (BORN JULIA ELIZABETH WELLS ON OCTOBER 1, 1935 IS AN AWARD-WINNING ENGLISH ACTRESS, SINGER, AUTHOR AND ICON. SHE IS THE RECIPIENT OF GOLDEN GLOBE, EMMY, GRAMMY, BAFTA, PEOPLE'S CHOICE AWARD, THEATRE WORLD AWARD, SCREEN ACTORS GUILD AND ACADEMY AWARD HONOURS. ANDREWS ROSE TO PROMINENCE AFTER STARRING IN BROADWAY MUSICALS SUCH AS MY FAIR LADY AND CAMELOT, AS WELL AS MUSICAL FILMS LIKE MARY POPPINS (1964) AND THE SOUND OF MUSIC (1965).

ANDREWS HAD A MAJOR REVIVAL OF HER FILM CAREER IN THE 2000S, IN CHILDREN'S FILMS SUCH AS THE PRINCESS DIARIES (2001), ITS SEQUEL THE PRINCESS DIARIES 2: ROYAL ENGAGEMENT (2004), AND THE SHREK ANIMATED FILMS (2004-2007). IN 2005, ANDREWS MADE HER DEBUT AS A STAGE DIRECTOR WITH A REVIVAL OF THE BOY FRIEND, IN WHICH SHE ALSO MADE HER BROADWAY ACTING DEBUT IN 1954.

ANDREWS IS ALSO AN ACCOMPLISHED WRITER OF CHILDREN'S BOOKS, AND IN 2008 SHE PUBLISHED AN AUTOBIOGRAPHY, HOME: A MEMOIR OF MY EARLY YEARS.



“I am told that the first comprehensible word that I uttered as a child was ‘home.’
My father was driving his secondhand Austin 7; my mother was in the passenger seat beside him holding me on her lap. As we approached our modest house, Dad backed the car to turn onto the pocket-handkerchief square of concrete by the gate and apparently I quietly, tentatively, said the word.

‘Home.’

My mother told me there was a slight upward inflection to my voice, and not a question so much as a trying of the word on the tongue, with perhaps the delicious discovery of connection…the word to the place. My parents wanted to be sure they heard me correctly, so Dad drove around the lanes once again, and as we returned, it seems I repeated the word.

My mother must have said it more than once upon our arrival at our house-perhaps with satisfaction? Or relief? Or maybe to instill in her young daughter a sense of comfort and safety. The word has carried enormous resonance for me ever sense.

Home.”

The voice, once lost, that brought us some of the landmark musicals of the 20th Century, The Sound of Music, Camelot, My Fair Lady, and Mary Poppins, has returned in this wonderful memoir. Julie Andrews’s new book, Home: A Memoir of My Early Years, is a richly detailed, wonderful book that takes us inside all of the ins and outs of her early life, both personal and professional. Born into a marriage of two horribly mismatched parents, her father the teacher, her mother a performer, the mother eventually left the father to marry a successful vaudeville singer, and Julie went with her mother. Julie gives us a vivid description of the war years in England, in a household full of strife and full of music.

Julie’s professional life began when she was only 12. The family became dependent on her income for their survival. In 1948 she became the youngest solo performer to ever participate in a Royal Command Performance before the Queen. Julie sang all over the country, and she performed weekly on the BBC, living in rented rooms with older female chaperones, and an abiding longing for family and home. At on the age of 18, she left the UK for the USA to make her Broadway debut in the musical The Boy Friend. This was the beginning of her meteoric rise to Hollywood and Broadway stardom.

Home is filled with stories and anecdotes about working on some of the biggest musicals in history like, My Fair Lady with Rex Harrison, in Camelot with Richard Burton, and Dick Van Dyke in Mary Poppins. It cover a career that soared over seven decades including The Sound of Music, Mary Poppins, Thoroughly Modern Millie, Hawaii, 10, and The Princess Diaries. This book also features over 50 personal photos, many of which have never been seen before. She includes long, detailed discussions about her award winning television appearances, multiple album releases, concert tours, her international humanitarian work, best-selling children’s books and her work to improve literacy.

As we all know, towards the end of the Broadway run of Victor/Victoria, she lost her singing voice, and despite operations, she never recovered it. She has undergone a revival of sorts recently in the 2000’s with The Princess Diaries I and II, a made-for-television movies based on the Eloise books, a series of children's books by Kay Thompson about a child who lives in the Plaza Hotel in New York City. The same year, Andrews made her debut as a theatre director, directing a revival of The Boyfriend, the musical in which she made her Broadway debut, at the Bay Street Theatre in Sag Harbor, New York. Her production, which featured costume and scenic design by her former husband Tony Walton, was remounted at the Goodspeed Opera House in 2005 and went on a national tour in 2006. From 2005 to 2006, Andrews served as the Official Ambassador for Disneyland's 18 month-long, 50th anniversary celebration, the "Happiest Homecoming on Earth", travelling to promote the celebration and recording narration or appearing at several events at the park.

In 2004, Andrews performed the voice of Queen Lillian in the animated blockbuster Shrek 2 (2004), reprising the role for its sequel, Shrek the Third (2007). Later in 2007, she narrated Enchanted, a live-action Disney musical comedy that paid homage to classic Disney films such as Mary Poppins.

In January 2007, she was honored with the Lifetime Achievement Award at the Screen Actors Guild's awards, and stated that her goals including continuing to direct for the stage, and possibly to produce her own Broadway musical.

Home, has been published as part one of the memoirs/celebration of her life. Well written and detailed with glaring honesty, I cannot wait to read part two. This is a great book about a remarkable life, whose influence has spanned many generations. The voice of a great performer is back. One you should not miss this summer.


Tuesday, April 15, 2008

New Book Review From The Entertainment Critic: Hungry Girl by Lisa Lillien


Hungry Girl: Recipes and Survival Strategies for Guilt-Free Eating in the Real World

THE ENTERTAINMENT CRITIC BOOK REVIEW, BY JAMES MYERS
www.theentertainmentcritic.com
www.theentertainmentcritic.net
www.theentertainmentcriticmagazine.com

HUNGRY GIRL: RECIPES AND SURVIVAL STRATEGIES FOR GUILT-FREE EATING IN THE REAL WORLD
By Lisa Lillien
Published by St. Martin’s Press
Publication Date: April 29, 2008
Price: $17.95
317 Pages
ISBN-13: 9780312377427
Four Star Rating ****

FOUNDED HUNGRY GIRL, INC., IN MAY OF 2004
HUNGRY GIRL IS A FREE DAILY EMAIL SUBSCRIPTION SERVICE ABOUT GUILT-FREE EATING THAT LAUNCHED WITH JUST 200 SUBSCRIBERS
THERE ARE CURRENTLY OVER 410,000 PEOPLE WHO RECEIVE HG'S DAILY EMAILS FILLED WITH TIPS, TRICKS, PRODUCT REVIEWS, RECIPES, SHOCKERS AND MORE.
HUNGRY GIRL ADDS 500 - 1000 NEW SUBSCRIBERS TO THE DAILY EMAIL LIST EVERY DAY, WITH MOST NEW SIGNUPS COMING FROM WORD OF MOUTH REFERRALS.
TAGLINE IS "I'M NOT A NUTRITIONIST, I'M JUST HUNGRY."
HUNGRY GIRL CONTENT IS SEEN REGULARLY ON YAHOO TV, WEIGHTWATCHERS.COM, SEVENTEEN MAGAZINE, PEOPLE, STYLE WATCH, THE NY DAILY NEWS, AND ON THE TV SHOW EXTRA.

“This book was so much fun to write (I have to admit, the recipe testing was my favorite part!) and I hope it helps you realize that eating better is not about depriving yourself. You can easily find ways to eat the foods you love (even so-called “bad” ones) by whipping up fun and easy, better-for-you versions right at home.”



Lisa Lillien has written a brilliant, new and refreshing book in response to the overwhelming demand that she has received for her recipes. The book, Hungry Girl: Recipes and Survival Strategies for Guilt-Free Eating in the Real World is the latest outgrowth Lisa has achieved from her renowned site, Hungry-Girl.com. The Hungry Girl phenomena started with Lisa and just one employee back in 2004. Wisely, deciding that she would come to her customers as opposed to forcing them to find her, Lisa began a newsletter concerning one of her favorite passions/obsessions, eating. With just herself, and one employee, she began to send out a weekly newsletter to about 200 close friends and contacts. Like many of us that love to eat, Lisa struggled with the “yo- yo” effect of loosing and gaining weight, fad diets, and frustration. She made a conscious decision to take control of what she ate, and she wanted to exercise such control that she not have to deprive herself of the food she loved and craved. Her obsession became her inspiration, (Lisa came up with Hungry Girl when she was taking sweets to a laboratory to have them tested to see if in fact they were low fat). Her alterative was brilliant; why not make and create guilt-free versions of her favorite craves and indulge to her heart’s content? The trick is to use replacement ingredients that are low in calories and fat, but don’t sacrifice taste.

Lisa’s thoughtful strategies have paid off. Her daily newsletters/emails are received by almost 500,000 subscribers. They had identified with the fun presentation and sassy style, far removed from boring, dull diet content normally delivered by nutritionists and doctors. The guilt-free recipes, food and product reviews, dieting news, shockers, and all things food approach have expanded Hungry Girl’s sphere of influence to Yahoo Weight Watchers.Com, Seventeen Magazine, People Style Watch, The New York Daily News, Woman’s Day Magazine, Good Housekeeping, and on the TV Show ‘Extra.’ In fact, some of her tasty and easy to make recipes were co-developed with Weight Watchers. The expanded staff of 6 that works at Hungry-Girl now addresses the 500-1000 new subscribers everyday to newsletters, most of the signups coming from referrals and word of mouth. Called the “Hollywood Diet Guru,” Lisa has been asked over and over again for copies of her recipes. The book was written in direct response to that.

Hungry Girl is a collection of 165 recipes (over half are brand new, never seen before) and survival strategies for anyone who loves rich, decadent food. From burgers to chocolate cake, breakfast, lunch and dinner, eating out, eating Mexican, eating Chinese and more, this book covers the waterfront. Unlike other books of this genre, the recipes are simple, short, fun, and easy to make. They are understandable, even by a total novice cook like me. Lisa tells you up front, what ingredients to get at the store, what to avoid, and the inaccuracy of labels. Once you have the ingredients, the rest is easy. Examples of favorites that even I recognized: Eggs Bene-Chick, Breakfast Pizza, Chili Cheese Nachos, Burgers, Chocolate Peanut Butter Fudge, Onion Rings, Tuna Melt, Burritos (big ones), and Cookies and Cream Ice Cream. (Lisa gives them much catchier names, but my point is that they are things I love to eat). Key to all of her recipes is that the nutritional information is disclosed with each one. For the recipes alone, the book is one you should buy.

My favorite part of Hungry Girl is the “survival strategies” for eating out at restaurants, when you travel, cocktail parties, dealing with cravings, and even must have snack food for the office. Where else are you going to get tips for how to “Survive a Trip to Starbucks”? These are very practical tips that you can use every single day. Consistent with newsletters, the book has Hungry Girl’s famous “Shockers” (things that most of us don’t realize and take for granted that really hurt us) and “Chew on This” (insightful facts of guilt-free eating).


Overall, the book is put in a pleasant to look at package, branded just like the Hungry Girl website on the outside, etched in light brown and pink on the inside, making reading a pleasant experience. Written with the typical Hungry Girl sass and humor, content and style-wise, it is one of the few ‘cookbooks’ that delivers what it promises: helpful information with humor and insight. The unstated theme of the book is that by obtaining the knowledge of the things that we eat, and the alternative, healthier choices we can make give us the power of control. Making smart decisions and planning ahead, even when you go out to eat or are in some other away from your home environment are all a part of this very fine book. The winning principle of eating the guilt-free versions of the food that you love and that you crave is continued in this book. Probably the best feature of this book is that you can take what Lisa has taught us, and apply it to your own craves. With the invaluable tips and tricks contained in the book, I foresee eaters everywhere taking the ingredients and tips and applying them to their favorite foods, creating and modifying their own recipes. Guilt-free junk food sounds like a winner to me. I recommend that on the 29th of April, 2008, you make you way to your favorite booksellers and pick this one up. Lisa is on tour, and will be talking and giving demonstrations. Check out her website at http://www.hungry-girl.com, for more information. Avoid the crowds, get there early. Just like they used to say about Elvis; 500,000 screaming fans cannot be wrong.